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高考英語一輪復(fù)習(xí) 閱讀能力綜合演練(三)1

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高考英語一輪復(fù)習(xí) 閱讀能力綜合演練(三)1

吉林長春市2017高考英語閱讀能力一輪綜合演練(三)【由四川省成都市2014屆高三英語摸底測試模擬試題(一)改編】完形填空。I wouldnt ask for a dressing room. My mom always asked for me.The evening before I had 1 risen from my seat and piled on excess noodles. Then I licked my bowl with the buttered garlic bread, 2 no evidence of the four servings I had eaten greedily. In the morning I would be forced to lie on my bed and stuck in my 3 just to button my jeans. I feared school 4 . The sale rack, with its slender size markers, knew my number continued to grow.I learned 5 to eat from my dad: fast and without thinking. In our house, the dinner table involved 6 , with the children on defense. One 7 move and our dinner would be snatched off our plates without warning and eaten up by our father 8 than we could blink. We soon learned to keep a hand up while 9 our chicken, and if mom decided to cook that night we needed to hurry and get 10 before it was gone.Only one pair of jeans I tried to fit. I 11 and told my mother I could button every pair but only needed the jeans that lay 12 in my hands. We walked to the checkout.I kept my head down as we passed a group of girls. They 13 . I glanced up only long enough to know my place. Their 14 cut at me, hands cupped over their mouths in secrecy.The shop was about to close and I 15 two girls in my third grade class out.“I like your pants. Where did you get them?” Marcy asked Alicia. I nodded in agreement, 16 they had removed their cupped hands and I could hear the 17 .“Really? I like yours better,” Alicia replied.“We should trade. What 18 are you?” Marcy asked.“I dont know” Alicia said, finding the tag in the back of her pants. “Seven.”“Me too.” Marcy said. I 19 in line as I held the jeans, tag folded in so 20 could see the number on it was 12. I am not a size seven.1.A. hurriedlyB. hungrilyC. repeatedlyD. worried2.A. leavingB. offeringC. collectingD. examining3.A. stomachB. legsC. waistD. hands4.A. uniformsB. mealsC. holidayD. shopping5.A. whatB. howC. whyD. when6.A. battleB. gameC. strikeD. debate7.A. bigB. unusualC. falseD. bold8.A. harderB. furtherC. earlierD. faster9.A. swallowingB. bitingC. tastingD. cooking10.A. excusesB. secondsC. opportunitiesD. demands11.A. orderedB. liedC. paidD. promised12.A. closedB. guidedC. guardedD. satisfied13.A. laughedB. murmuredC. shoutedD. whispered14.A. mouthsB. handsC. eyesD. ears15.A. ledB. followedC. invitedD. walked16.A. thankfulB. afraidC. anxiousD. excited17.A. interviewB. conversationC. questionD. report18.A. numberB. sizeC. colorD. weight19.A. jumpedB. waitedC. criedD. hid20.A. everybodyB. anybodyC. nobodyD. somebody完形填空(共20小題;每小題1.5分,滿分30分)1.C2.A3.A4.D5.B6.A7.C8.D9.A10.B11.B12.C13.D14.C15.B16.A17.B18.B19.D20.C【2016高考英語閱讀理解訓(xùn)練】閱讀下面短文,選擇最佳答案。With the tears streaming down her face,she put her two hands to her lips,and kissed them to Him; then clasped(緊握著)them on her breast,as if she laid his ruined head there“You are not the gaolers(監(jiān)獄長)daughter ?”She sighed“No. ”“Who are you ?”Not yet trusting the tones of her voice,she sat down on the bench beside himHe drew back but she laid her hand upon his armA strange thrill struck him when she did so, and visibly passed over his frame; he laid the knife down softly,as he sat staring at herHer golden hair,which she wore in long curls,had been hurriedly pushed aside,and fell down over her neckAdvancing his hand by little and little,he took it up and looked at itIn the middle of the action he went astray,and,with another deep sigh,fell to work at his shoemakingBut lot for longReleasing his arm,she laid her hand upon his shoulderAfter looking doubtfully at it,two or three times,as if to be sure that it was really there,he laid down his work,put his hand to his neck,and took off a blackened string with a scrap of folded rag attached to itHe opened this,carefully,on his knee,and it contained a very little quantity of hair:not more than one or two long golden hairs,which he had,in some old day,wound on upon his fingerHe took her hair into his hand again,and looked closely at it“It is the sameHow can it be!When was it! How was it!”As the concentrating expression returned to his forehead,he seemed to become conscious that it was in hers tooHe turned her full to the light,and looked at her “She had laid her head upon my shoulder,that night when I was summoned(傳喚)outshe had a fear of my going,though I had noneand when I was brought to the North Tower they found these upon my sleeveYou will leave me them? They can never help me to escape in the body,though they may in the spiritThose were the words I saidI remember them very well. ” He formed this speech with his lips many times before he could utter itBut when he did find spoken words for it,they came to him coherently(連貫地),though slowly “How was this?一Was it you? ”1The underlined word“it” in the passage refers to“ ”.Aher hair Bher hand Chis arm Dhis shoulder2The passage is most probably taken from .Aa chant Ba drama Ca novel Dan essay3From the passage,we can infer that .Athe lady was the gaolers friend Bthe man lived a peaceful lifeCthey hadnt seen each other for years Dthey made a happy conversation4The old man took the ladys hair into his hand again because .Athe hair reminded him of his daughterBhe found the hair of high qualityCthe lady had almost the same hair as he didDthe ladys hair worried him so much5The writer attracts the readers by .Adescribing the changes of the relationshipBgiving a vivid description of detailsCusing funny and humorous languageDpresenting unpredictable consequence【參考答案】15、BCCAB社會(huì)生活類閱讀理解?!癇EIJING, Sep. 10 (Xinhuanet)The extra-large model baby in the Spain Pavilion (館) was conceived (構(gòu)思) by a Spanish filmmaker,” Shi Yingying reports. Visitors admiring the 6.5-meter-high giant baby, Miguelin, in the Spain Pavilion may be surprised to realize that it was not the concept of a famous designer or a group of groundbreaking engineers. It came from one filmmakers interpretation of the meaning of “Better City, Better Life”. Spanish director Isabel Coixet developed the idea after being asked to contribute to Expo 2010 Shanghai. “They asked me to do something to tell the Chinese audience about Spain in the future and the first thing jumping to my mind was a baby,” said Coixet. “If we really fight to have better cars, better cities and better lives, its for themfor our children.”Despite her Spanish heritage, Coixet doesnt focus on making Spanish films or using Spain as the setting. Fans of her various award-winning films, including My Life Without Me, The Secret Life of Words and Elegy, may not even be aware of Coixets Spanish background. “The borders between countries are just illusion (假象),” said Coixet. “Some directors feel really comfortable telling stories that belong to their territory.”But Coixet feels the opposite: “Im more comfortable outside my country. It gives me a strange freedom.”O(jiān)ne of her favorite things about being a director is the freedom. “The thing is that the world is wide and this freedom lets you make films everywhere,” she said. Coixets curiosity took her latest exploration and movie work to Japan. In the movie Map of the Sound of Tokyo, the Catalan actor Sergi Lopez is the owner of a wine shop in Tokyo, and Japanese actress Rinko Kikuchi is a young woman who works both as a fishmonger and as a hired killer. The clash (沖突) of the two peoples very different worlds and the tango-like relationship they develop is just one representation of what Coixet is able to produce by mixing cultures. While she doesnt know if she will shoot a film in Shanghai, two things have caught her attention: Shanghainese women and crickets (蟋蟀). After just arriving in the city, she was surprised by the mix of old Chinese culture in a booming metropolis. “Behind the skyscrapers, there is a flower and bird market with heaps of crickets and birdcages in,” she said. “Im totally amazed with the city.”1. The huge baby represents the idea that . A. our children are the new generation full of imaginationB. our children will develop the friendship between China and SpainC. our children are our futureD. our children will understand the meaning of “Better City, Better Life”2. We learn from the passage that Coixets award-winning films were set. A. only in Spain B. only in JapanC. mainly in the countries outside SpainD. mainly in the countries within Europe 3. According to Isabel Coixet, a flower and bird market behind the high rises. A. shows people in Shanghai are living a rich life spiritually and materiallyB. reflects prosperity of the marketC. indicates the Chinese people are leading a peaceful lifeD. represents the traditional culture of China4. From the passage we can learn that. A. Isabel Coixet is dissatisfied with the design of the extra-large model babyB. a mix of different cultures is reflected in Isabel Coixets filmsC. Isabel Coixet feels less comfortable while making films all over the worldD. Isabel Coixet designed the huge baby according to the requirement of a group of engineers【參考答案】6.CCAB 閱讀理解。閱讀下列材料,從每題所給的四個(gè)選項(xiàng)(A、B、C和D)中,選出最佳選項(xiàng)。 One evening in February 2007. A student named Paula Ceely brought her car to a stop on a remote in Wales. She got out to open a metal gate that blocked her path . Thats when she heard the whistle sounded by the driver of a train. Her Renault Clio parked across a railway line. Second later, she watched the train drag her car almost a kilometre down the railway tracks. Ceelys near miss made the news because she blamed it on her GPS device(導(dǎo)航儀).She had never driven the route before .It was dark and raining heavily. Ceely was relying on her GPS. But it made no mention of the crossing. "I put my complete trust in the device and it led me right into the path of a speeding train," she told the BBC. W ho is to blame here? Rick Stevenson, who tells Ceelys story in his book When Machines Fail US, finger at the limitations of technology. We put our faith in digital devices, he says, But our digital helpers are too often not up to the job. They are filled with small problems. And its not just GPS devices: Stevenson takes us on a tour of digital disasters involving everything from mobile phones to wireless key boards. The problem with his argument in the book is that its not clear why he only focuses digital technology, while there may be a number of other possible causes. A map-maker might have left the crossing off a paper map. Maybe we should blame Ceely for not paying attention. Perhaps the railway authorities are at fault for poor signaling system. Or maybe someone has studied the relative dangers and worked out that there really is something specific wrong with the CPS equipment. But Stevenson doesnt say.Its a problem that runs through the book. In a section on cars, Stevenson gives an account of the advanced techniques that criminals use to defeat computer-based locking systems for cars. He offers two independent sets of figures on car theft; both show a small rise in some parts of the country. He says that once once again not all new locks have proved reliable. Perhaps, but maybe its also due to the shortage of policemen on the streets. Or changing social circumstances. Or some combination of these factors.The game between humans and their smart devices is complex. It is shaped by economics and psychology and the cultures we live in. Somewhere in the mix of those forces there may be way a wiser use of technology. If there is such a way, it should involve more than just an awareness of the shortcomings of our machines. After all, we have lived with them for thousands of years. They have probably been fooling us for just as long.( )1.WhatdidPaulaCeelythinkwasthecauseofheraccident?A.Shewasnotfamiliarwiththeroad.B.Itwasdarkandrainingheavilythen.C. The railway works failed to give the signal.D. Her GPS device didnt tell her about the crossing( )2. Thephrase “nearmiss”(paragraph2)canbestbereplacedby_.A.closebitB.heavylossC. narrow escapeD.bigmistake( )3. WhichofthefollowingwouldRickStevensonmostprobablyagreewith?A. Moderntechnologyiswhatwe cantlivewithout.B.Digitaltechnologyoftenfalls shortofoutexpectation.C.Digitaldevicesaremore reliablethantheyusedtobe.D.GPSerrorisnottheonly causeforCelerysaccident.( ) 4. In the writers opinion, Stevensons argument is_.A. one-sided B. reasonable C. puzzling D. well-based( ) 5.What is the real concern of the writer of this article?A. The major causes of traffic accidents and car thefts.B. The relationship between humans and technologyC.Theshortcomingsofdigital devicesweuse.D.Thehuman unawarenessoftechnicalproblems.【參考答案】1-5、DCBAB

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